Showing posts with label text. Show all posts
Showing posts with label text. Show all posts

[pswte] Download Loretta fonts from Nova Type Foundry

July 26, 2021 , , , , ,
Loretta
Loretta LorettaLoretta


Loretta



Loretta is an elegant contemporary serif typeface for body text. It has roots in expressive calligraphic motions, compelled into stable typographic shapes. Loretta is perfect for editorial use in books and on the web because it has low contrast and open shapes that give it ideal legibility. The italic is vibrant and complements the regular with style.



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[ffwhy] Download Loretta fonts from Nova Type Foundry

July 25, 2021 , , , , ,
Loretta
Loretta LorettaLoretta


Loretta



Loretta is an elegant contemporary serif typeface for body text. It has roots in expressive calligraphic motions, compelled into stable typographic shapes. Loretta is perfect for editorial use in books and on the web because it has low contrast and open shapes that give it ideal legibility. The italic is vibrant and complements the regular with style.



LorettaDownload NowView Gallery


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Download Mortise Fonts Family From Signal

December 15, 2019 , , , ,
Download Mortise Fonts Family From Signal
Download Mortise Fonts Family From Signal Download Mortise Fonts Family From SignalDownload Mortise Fonts Family From Signal


Download Mortise Fonts Family From Signal


To mortise is “to join or fasten securely.” Created by an aspiring furniture-maker and an ageing typographer, Mortise is a solidly constructed new slab serif, and marks Signal’s first collaboration with outside designers. A generous x-height, open counters, wide proportions, and monoline strokes make it readable and practical, while the long, slightly curved vertical serifs give it a raffish, mustache-twirling air. The X-Light is neat and refined and holds the page nicely; the middle weights are sturdy and direct; and the broad, blocky serifs on the X-Bold are exuberant and perhaps a bit rowdy. Available in six carefully crafted weights, Mortise is both a fresh new face and a versatile addition to the venerable slab serif genre. And, of course, it goes well with its sans sibling, Tenon.


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Download Ardentia Fonts Family From Asritype

November 12, 2019 , ,
Download Ardentia Fonts Family From Asritype
Download Ardentia Fonts Family From Asritype Download Ardentia Fonts Family From AsritypeDownload Ardentia Fonts Family From Asritype


Download Ardentia Fonts Family From Asritype


Ardentia is a serif typeface, supporting a wide range of Latin based languages and Greek (see TechSpecs). Ardentia was created inspired by most serif text font used in book printing. Smooth curves help the flow for long text reading. Ardentia is designed with medium contrast in order to have all parts of the letter’s shape well printable in book size printing, for high or low resolution printers, high or low paper quality. Other than book printing, the medium contrast also gives good visibility in display thanks to its clearness. Thus, Ardentia will work well for both printing and display, webpage or electronic/digital display. Ardentia consist of 4 weights: Light, Regular, Semi-bold and Bold, plus matching italics. The thickness of the lowercases (vertical stem) of the regular font is drawn at about the middle of the thickness of similar kind (serif) and similar size fonts. So Ardentia is the right choice for both textbook and display altogether. Being a normal serif typeface, Ardentia is applicable to a wide range of usage. From book typing, news, magazines notes, cards, sticker texts, banners, to logos and the others design mean. Enjoy using Ardentia for your projects.


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Download Bernhard Signature Font Family From Jonahfonts

August 15, 2019 , , , , ,
Download Bernhard Signature Font Family From Jonahfonts
Download Bernhard Signature Font Family From Jonahfonts Download Bernhard Signature Font Family From Jonahfonts Download Bernhard Signature Font Family From Jonahfonts


Download Bernhard Signature Font Family From Jonahfonts


I started to work at the Bernhard Studio in 1952 to 1959 in New York. I helped with some type designs and many other projects, this two tiered signature was added on all of Bernhard’s art that was produced in the past and in his later years. In the 50’s I thought Bernhard’s Gothic face was quite a bit outdated but as you may know it has become one of todays most used faces. His signature is based on his Bernhard Gothic Font. With todays computer technology I have digitized the caps and added lower case glyphs with lower ascenders and other slight changes.


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